2008 in the rear view.

Satyagraha year end

Time, at last, to share my picks for the year. Honestly, what follows has been up on the Time Out New York website for more than a week now (here and here). But in forcing myself to actually observe a rare week off from work (Dec. 24 to Jan 1.), I included blogging in that hiatus. Here, as they appeared in the magazine, are my highly idiosyncratic classical best and worst picks, top 10 classical CDs, top 10 pop CDs and "worst pop CD," as well as two concerts from the pop music staff's composite list of the year's top live shows. (In a few instances I've minutely tweaked what appeared in print, a slightly rushed job that would have benefited from one more patient pass.)

CLASSICAL: THE BEST (AND WORST) OF 2008

The Best

The Elliott Carter Centenary
How heartening it was to see nearly every sector of New York's musical community, in organizations large and small, celebrate the achievements of the nation's foremost living composer — and how truly astonishing it was to find Carter turning out fresh, invigorating new pieces for a great many of the concerts in his honor.

The New York Philharmonic visits Pyongyang
The political sphere unsurprisingly failed to reach instantaneous harmony the moment Lorin Maazel gave his first downbeat in North Korea. Even so, everything about the orchestra's unprecedented 48-hour mission was historic — and the entire world paid attention to a symphony orchestra for the first time in ages.

Satyagraha at the Metropolitan Opera in April
Everything we could have dreamed the Met might become was realized in this extraordinary presentation: The singing and playing were on par with the company's usual high standards, the production was visionary, the message was timely and the composer, Philip Glass, got the biggest ovation of all.

Messiaen organ cycles by Gail Archer and John Scott
Born one day before Carter, Messiaen passed away well before his 100th birthday. Thankfully, plenty of artists kept his music alive this year, including these two organists. Archer played her series all over town, while Scott stayed home at St. Thomas Church.

(Le) Poisson Rouge arrives
Booking without boundaries hit Bleecker Street when this chic new establishment opened in the former Village Gate.

The Worst

The Mortier meltdown at New York City Opera
New York opera lovers spent the whole year looking forward to the arrival of Gerard Mortier at Lincoln Center, with an eagerness that increased with each initiative the company announced. It all came crashing down in November, when we learned that due to a budget shortfall, Mortier would not be coming after all. Now we're holding our breath to see if NYCO survives to mount a season.

Things are tough all over
City Opera wasn't the only company having a hard time this year. Dicapo Opera scrapped its planned New York premiere of Tobias Picker's Fantastic Mr. Fox, and even the Met lopped several highly anticipated productions and revivals off its 2009-10 season — the most painful loss was John Corigliano's The Ghosts of Versailles.

George Steel departs for Dallas
There was no reason to think that Steel, the intrepid curator whose programming made Columbia University's Miller Theatre an epicenter of creative buzz, would be here forever. Still, it was a sad day when he departed to take over the Dallas Opera in October.

VIM: Tribeca R.I.P.
This upstart concert series was building an impressive head of steam with its unique, artist-driven offerings. Then the gallery that housed it imposed new rules — and the series abruptly ended in January.

Best Albums of 2008

Hahn Schoenberg

1. Hilary Hahn
Schoenberg and Sibelius Violin Concertos (Deutsche Grammophon)
You couldn't hear Schoenberg's underappreciated concerto the same way after Hahn offered her passionate take.

Mantovani Chiese

2. Bruno Mantovani
La Sette Chiese (Kairos)
Susanna Mälkki led the Ensemble Intercontemporain in a dazzling tour of Mantovani’s musical temples.

Oppens Carter

3. Ursula Oppens
Oppens Plays Carter (Cedille)
Pianist Oppens drew on a lifetime of experience and a close connection with Carter for this vivid CD.

Beyer Sticky

4. Johanna Beyer
Sticky Melodies (New World)
John McCaughey’s Astra Chamber Music Society rescued the music of this virtually unknown maverick from oblivion.

Bayrakdarian Gomidas

5. Isabel Bayrakdarian
Gomidas Songs (Nonesuch)
This Armenian-Canadian soprano’s homage to the musical hero of her ancestral home was equal parts homework and heart.

Birtwistle Minotaur

6. Harrison Birtwistle
The Minotaur (Opus Arte DVD)
The latest opera from England’s modernist master comes to blazing, bloody life in a riveting performance from the premiere run.

Harbison Ulysses

7. John Harbison
Ulysses (BMOP/sound)
A stellar disc of this epic work inaugurated the Boston Modern Orchestra Project’s invaluable CD label.

Ornstein Cahill

8. Leo Ornstein
Fantasy and Metaphor (New Albion)
Bay Area pianist Sarah Cahill made an engrossing overview of this American original’s work.

Kaufmann Romantic

9. Jonas Kaufmann
Romantic Arias (Decca)
The virile German tenor issued the year’s most satisfying collection of operatic arias.

Kayhan Silent

10. Kayhan Kalhor and Brooklyn Rider
Silent Cities (World Village)
Call this crossover if you must; you still can’t ignore such deep connections between two potent musical cultures.

El Guincho year end

MUSIC: THE BEST (AND WORST) ALBUMS OF 2008

The Best

Nas Untitled

1. Nas
Untitled (Def Jam/Columbia)
Not Illmatic II. Not as unfettered as The N!99#r Tape.* Still, here’s the sound and spirit of the year that brought Obama to the White House.
[*Yes, I'm still disguising the title to make sure this blog isn't blocked anywhere. Sorry, Nas.]

Lil Wayne Carter III

2. Lil Wayne
Tha Carter III (Cash Money/Universal)
And the flip side—unapologetically commercial, defiantly ubiquitous and
convinced he’s the best in the business. This year he was right.

Kanye 808s

3. Kanye West
808s & Heartbreak (Def Jam)
This icy slice of alienation, by an auteur who couldn’t handle not
being in complete control of his life, was the year’s most
misunderstood triumph.

Ti paper

4. T.I.
Paper Trail (Atlantic)
The death of a friend and the threat of a prison stretch made this ATL
rapper take stock, but his cocky side shines through in the radio hits.

Neyo gentleman

5. Ne-Yo
Year of the Gentleman (Def Jam)
The man who penned hits for Beyoncé and Rihanna dropped the sunniest R&B disc since the King of Pop forgot how.

 Little Jackie Stoop

6. Little Jackie
The Stoop (S-Curve)
One of the year’s two best old-school soul-mining discs fit Imani Coppola’s sharp tongue into Adam Pallin’s smooth grooves…

Raphael Saadiq Way

7. Raphael Saadiq
The Way I See It (Columbia)
…while the other found this dazzling young singer brazenly copping moves from vintage icons like Smokey and Marvin.

El Guincho Alegranza

8. El Guincho
Alegranza (XL)
Spanish producer-performer Pablo Díaz-Reixa updated the Os Mutantes sound for the Panda Bear generation.

Hercules Love Affair

9. Hercules and Love Affair
Hercules and Love Affair (DFA)
No dance record — no record, period — evoked the disco era’s mix of joy,
pain, sweat and sex better than the one by Andrew Butler, Antony &
Co.

Miles from India

10. Miles from India
Various artists (Times Square)
What might have been an exercise in colonialism instead used Miles
Davis’s canon to prove jazz remains a uniquely pluralistic culture.
[Bonus track: My recent eMusic review of this set.]

The Worst

Guns Chinese Democracy

Guns N' Roses
Chinese Democracy (Geffen)
After long insisting he would sell no whine before its time, Axl finally revealed just how
bare his cellar was. Next stop, Ernest and Julio Gallo pitchman?
(Google it.)

[Thanks to the Time Out music page (and specifically the efforts of my colleague Colin St. John), you can listen to sample tracks from my top 10 through the imeem player I've borrowed and embedded below — just be careful about playing the Nas, Lil Wayne and T.I. cuts around children and sensitive coworkers. I also recommend following the link to check out the best/worst picks from my TONY colleagues. Who'da thunk it would be El Guincho who stirred up the most collective admiration from our especially peculiar hivemind?]

http://media.imeem.com/pl/hKqnDJPHdI/aus=false/

The Best Shows of 2008

Peter Hammill

Peter Hammill
The Cutting Room, June 17
Armed with a piano, a guitar and a brimming glass of red, the veteran prog singer had a standing-room crowd spellbound.
[This gorgeously moody image of the event posted on Flickr by Peter Drubetskoy, a.k.a. Skyredoubt.]

Jeff Walker Nokia

Carcass

Nokia Theatre Times Square, Sept. 6
These reunited grindcore forebears reigned over a blistering bill.
[This fierce portrait of Jeff Walker during the Nokia show is part of a Flickr set by Ryan Muir, whose intense images also ran on Brooklyn Vegan.]

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Here's wishing a safe and happy New Year to all. More personal thoughts on the year we're leaving behind, coming soon.

3 responses to “2008 in the rear view.”

  1. Thank you for including the player! Happy 2009.

  2. I know it’s uncool to like Chinese Democracy, but I really do think it’s a great album. Worth waiting over 15 years for? Your call. I just know the songs are good, the production is amazing (perfectionism rewarded), and the guitar solos are ridiculously awesome.

  3. Hi Steve. Thanks for the great year-end lists.
    Who does press for Kairos in the US?
    Best,
    Christian

Leave a reply to Christian Cancel reply