Wandelwatching
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I start where I am and do what I can, practicing in my inner hearing and on the trombone what I can do, refining it and hearing it as clearly as I can in the time that I have available to me. I show up on Saturday where I am, giving the best that I
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I find the implication that there are “ears” everywhere, at every point in a world, a fascinating concept, even if it is rather hard to imagine. It implies that position might be more important than time in hearing; and that the sounding configuration of a world can be understood (differently) from an infinite number of
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We had already agreed in principle that the entire structure of the piece would be derived from Mozart’s 40th Symphony, and that obviously, “White Metal” should carry a variation of the concept “Black Metal” and the term “white noise”.—Miguel Prado Having declared last week in my initial Wandelwatching post that this series of essays is
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Eva-Maria Houben Silence in music was not the cessation of sound, or even a gesture: it was a different sound, one with more density than those sounds made by instruments.—Michael Pisaro If my social-media communities are any indication, Wandelweiser is finally arriving here in New York City. Formed in 1992 by composers Antoine Beuger and Burkhard
Night After Night 