Tony Malaby
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I wrote for the Village Voice only one time, very early in my professional career, at the tail end of the full-time jazz journalism stage that preceded my return to classical music after around five years of estrangement. The article was published Feb. 27, 2001, or so the website tells me. That I never returned to
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Paul Motian has been playing at the Village Vanguard for half a century now, his earliest engagements of note in a legendary trio with pianist Bill Evans and bassist Scott LaFaro. Quietly revolutionary, that group broke with the age-old model of the piano trio as a vehicle for a leader with support, proposing instead a
Night After Night 