Steve Smith
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Joanna Wallfisch and Dan Tepfer, by Josh Goleman "Wallfisch, Tepfer learn to collaborate on CD and onstage"Boston GlobeMarch 13, 2015 Singer Joanna Wallfisch, who describes herself as having been a "bad student," learns to slow down and pay closer attention to the art she creates. Pianist Dan Tepfer, a self-proclaimed nerd engaged by virtuosity in
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Arneis Quartet, by Liz Lender The Arneis Quartet – violinists Heather Braun and Rose Drucker, violist Daniel Doña, and cellist Agnes Kim – embarks on a fascinating literary and musical excursion this month at Boston University's Morse Auditorium. The quartet's March 31 concert, "Poetry and Music: T.S. Eliot’s Four Quartets, Beethoven and Gubaidulina," is the
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Cameron Carpenter, by Sean Proctor/Boston Globe Cameron Carpenter at Sanders Theatre, March 5, 2015Boston GlobeMarch 9, 2015
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Christian Wolff NEW MUSIC BOSTONMarch 2015 (Updated March 21) 8 Boston Civic SymphonyThomas Oboe Lee, Trumpet Concerto (world premiere); Stephen Burns, Fanfare for Freedom; plus works by Honegger and BerliozStephen Burns, trumpet; Taichi Fukumura, conductorJordan Hall, New England Conservatory, Boston2 p.m.$15-$40More information Brand New Music/New Music BrandeisEmily Koh, smidgen(S); Victoria Cheah, Tell:Abschied; Gleb Kanasevich, suono
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Isabel Mundry and Raphaël Cendo ECCE Ensemble at Goethe-Institut Boston, December 6, 2014Boston GlobeDecember 8, 2014 ECCE Ensemble's next public concert program will be a portrait of Mark Andre, a French composer based in Germany and a student of Gérard Grisey and Helmut Lachenmann, among others (and not to be mistaken for Marc-André Dalbavie). Bostonians
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Bob Dylan and His Band, Orpheum Theatre, November 14, 2014Boston Globe, November 16, 2014 "You were off base with your review. He was horrible. I couldn't understand any of his lyrics or the songs he was seeing. It was an awful show and I wouldn't ever go back to see him. The band sounded beautiful
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Album review: Buzz Osborne, 'This Machine Kills Artists'Boston GlobeJuly 8, 2014
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Yes performing "Siberian Khatru" at Blue Hills Bank Pavilion When it comes to the Yes shows I've caught since I first started attending in 2004 (late start, I know), as well as those I've heard via various audience-sourced recordings floating around on the Interwebs, there's a simple, fairly reliable rule of thumb: As goes "Siberian
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Steve Howe, left, with Yes, by Rob Shanahan "Yes forges ahead with classic albums and new music"The Boston Globe, July 7, 2014 My second Boston Globe byline, and a treat I couldn't resist giving myself, having seen Yes five times since 2004 – the last tour to date with vocalist Jon Anderson and keyboardist Rick
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James Maddalena, Michael Chioldi and David Kravitz, by Kathy Wittman Odyssey Opera June Festival at Boston University Theatre, June 11 & 12, 2014The Boston Globe, June 19, 2014 My first review for the Boston Globe covers the first two nights of a four-night festival by Odyssey Opera, a new company arisen from the demise of
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Should one wish to immerse oneself in Boston's thriving live-music scene – and should one attempt to do so on a Monday night – one could do much, much worse than to hit the Lilypad, a modest, cozy storefont space in Inman Square, where two incredibly proficient, stylistically diverse bands are in regular residence. The
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I start where I am and do what I can, practicing in my inner hearing and on the trombone what I can do, refining it and hearing it as clearly as I can in the time that I have available to me. I show up on Saturday where I am, giving the best that I
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Reinier van Houdt, by Michelle V. Agins for The New York Times Jacob Greenberg and Reinier van Houdt at Spectrum, March 25, 2014The New York Times, March 27, 2014 Two separate recitals by brilliant pianists heard most frequently in group settings: Jacob Greenberg with the International Contemporary Ensemble, and Reinier van Houdt in the Ives
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Emerson String Quartet at Alice Tully Hall, March 23, 2014The New York Times, March 26, 2014 My first time to see and hear the Emersons with their new cellist, Paul Watkins. Nice to know that it all still works, and that youngblood has lit a new fire in his crew.
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Colin Stetson and the Brooklyn Youth Chorus, by Hiroyuki Ito for The New York Times Colin Stetson with the Brooklyn Youth Chorus at Merkin Concert Hall, March 22, 2014The New York Times, March 25, 2014 This one came out really, really quickly, despite some hair-splitting fact-checking that ran up to deadline hour. Once I had
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John Zorn: Masada Book 3 at the Town Hall, March 19, 2014The New York Times, March 21, 2014 The biggest surprise about this particular concert was the fact that I was there; I'd originally been scheduled to cover a different event, but a sick colleague prompted a last-minute shuffle, and here we are. Because of
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I find the implication that there are “ears” everywhere, at every point in a world, a fascinating concept, even if it is rather hard to imagine. It implies that position might be more important than time in hearing; and that the sounding configuration of a world can be understood (differently) from an infinite number of
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Zubin Mehta, Diana Damrau and the Vienna Philharmonic, by Hiroyuki Ito for The New York Times Vienna Philharmonic at Carnegie Hall, March 15 & 16, 2014The New York Times, March 17, 2014 The whole time Diana Damrau was cavorting on the Carnegie Hall podium – during a long evening's third and final encore, understand –
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Alan Gilbert, by Karsten Moran for The New York Times New York Philharmonic at Avery Fisher Hall, March 12, 2014The New York Times, March 14, 2014 In which I describe Carl Nielsen's Symphony No. 4, "The Inextinguishable," like so: "A seamless sequence of vivid episodes, the piece is a craggy MacGuffin that shouldn’t work but
Night After Night 