Lincoln Center
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Alan Gilbert, by Karsten Moran for The New York Times New York Philharmonic at Avery Fisher Hall, March 12, 2014The New York Times, March 14, 2014 In which I describe Carl Nielsen's Symphony No. 4, "The Inextinguishable," like so: "A seamless sequence of vivid episodes, the piece is a craggy MacGuffin that shouldn’t work but
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Glenn Dicterow, Alisa Weilerstein, Kurt Masur and the New York Philharmonic, by Richard Termine/The New York Times The New York Philharmonic at Avery Fisher Hall, November 8, 2012The New York Times, Nov. 10, 2012 A slightly messy concert, but a consistently exciting one, too. After I posted this review on Facebook, a friend pointed out
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Janáček Philharmonic Ostrava, by Ruby Washington/The New York Times Janáček Philharmonic Ostrava at Alice Tully Hall, November 5, 2012The New York Times, Nov. 8, 2012 Posted here belatedly because sometimes there aren't enough hours in a day, a week or a life, this is a review of the only night I attended in Petr Kotik's
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William Christie, by Hiroyuki Ito/The New York Times Les Arts Florissants at Alice Tully Hall, October 19, 2012The New York Times, Oct. 22, 2012 Like the lede says, there are few things in life or art more reliable than the excellence of a concert by the eminent conductor William Christie and Les Arts Florissants. This
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Phil Kline's dreamcitynine, by Richard Termine/The New York Times Phil Kline's dreamcitynine at Lincoln Center, August 3, 2012The New York Times, August 6, 2012 You can still hear the 60 stories Phil Kline commissioned for dreamcitynine, his intriguing and impressive tribute to John Cage (and to Indeterminacy in specific), at Lincoln Center through
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New Juilliard Ensemble at Alice Tully HallThe New York Times, April 12, 2011
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The New York Philharmonic at Avery Fisher HallThe New York Times, March 25, 2011 Writing reviews is seldom easy, but this one was an exception; somehow, once the opening bit came to me, the rest flowed without much effort. I had real fun with it. And yes, the opening quotes are genuine.
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Les Arts Florissants Anacréon and Pygmalion at Alice Tully HallThe New York Times, March 14, 2011
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"At Tully Hall, the Norm Is a Festival"The New York Times, February 20, 2011 A very short preview of Lincoln Center's Tully Scope Festival, which celebrates the diverse range of things that Alice Tully Hall already does well, while also suggesting some of the ways in which Lincoln Center is trying to make better use
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The Manganiyar Seduction at the Rose TheaterThe New York Times, November 24, 2010 By a sizable factor, here was the White Light Festival offering that moved me most. (No, I did not see all of them.) That point is probably the reason why the way this review ended actually surprised me. I was also happy
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"White Light: Is It Driven by the Soul or by Sales?"The New York Times, November 23, 2010 As I mentioned in the post-before-last, The New York Times asked its classical-music critics and reporter to discuss the pros and cons of the White Light Festival at Lincoln Center on the paper's Artsbeat blog about a week
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Photograph: Chad Batka/The New York Times "White Light Festival: An Act of Testimony"The New York Times Artsbeat, November 19, 2010 Over the past few weeks I've reviewed several events in Lincoln Center's inaugural White Light Festival, a series devoted to exploring spirituality in music — or, more specifically, to promoting the notion that some kinds
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The Emerson String Quartet at Alice Tully HallThe New York Times, May 11, 2010
Night After Night 