John Adams
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The Goings On About Town section in The New Yorker remains suspended indefinitely in its conventional format, and album reviews linger. But with a marked uptick lately in the number of live online events planned and announced well in advance, the possibility of "events listings" has resumed. For the May 11 issue, though, I've returned
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On a gloomy morning in an uncertain world, finding some measure of joyous reassurance in the ecstatic whoops and whorls of Gabriella Smith's 'Carrot Revolution,' played emphatically by @aizuriquartet. https://t.co/tHyqNOJNx3 via @YouTube — Steve Smith (@nightafternight) January 3, 2020 https://platform.twitter.com/widgets.js Gabriella Smith is a composer other composers evidently like to recommend, to their listeners and
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The Juilliard Orchestra with John Adams at Carnegie HallThe New York Times, February 21, 2011 The night after this concert, I finally got to see the Metropolitan Opera's new production of John Adams's opera Nixon in China, presented in the original 1987 staging by Peter Sellars–more or less. Many reviews appeared after the premiere earlier
Night After Night 