Dog Days
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"Tomorrow's Valhalla: Critics Weigh in on Standout Operas of Recent Decades"The New York Times, January 5, 2014 As longtime perusers of this blog already know, I always enjoy features in which all the classical-music reviewers for The New York Times are asked to mix it up on a single topic. I missed posting the recent
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Lauren Worsham, by Kristin Hoebermann Interview with Lauren Worsham [link missing]Time Out New York, Feb. 21–27, 2013 An excruciatingly short snippet from a lengthy, wide-ranging and brilliantly fun conversation with Lauren Worsham (full name: Lauren Worsham Jarrow), who plays Flora in New York City Opera's stylishly spooky production of Benjamin Britten's opera The Turn of
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Zac Ballard and Christopher Burchett in Soldier Songs, by Ruby Washington/The New York Times Soldier Songs at Pace University, January 11, 2013The New York Times, Jan. 15, 2013 So glad to have seen David T. Little's first musical-theater piece, especially having been so deeply impressed and moved by his subsequent opera, Dog Days (reviewed here
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Einstein on the Beach at BAM, by Sara Krulwich/The New York Times "Curtains Fall, But Operas Reverberate"The New York Times, Dec. 16, 2012 A year-end essay for The New York Times about the two events that had the most enduring impact for me in 2012: Philip Glass and Robert Wilson's Einstein on the Beach, which
Night After Night 