Clarice Jensen
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The Goings On About Town section in The New Yorker remains suspended indefinitely in its conventional format, and album reviews prevail, mostly. Here's my latest, from the April 13 issue, covering The experience of repetition as death, the second full-length album by cellist Clarice Jensen. The third release overall in her swiftly ascendant career as
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Liza Lim (Photograph: Astrid Ackermann) Among the choice items included in today's Winter-Spring 2020 season announcement from The Kitchen was news of the latest installment in Density 2036, the enthralling 23-year commissioning program initiated by the industrious flute genius Claire Chase in 2014. Density 2036, part vii will be presented at Queenslab, a Ridgewood venue
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"Clarice Jensen: A Consummate Team Player Calls Her Own Tune"National Sawdust LogApril 3, 2018[link] As the founder of one of New York City’s most versatile and in-demand new-music groups, the American Contemporary Music Ensemble (ACME), the cellist Clarice Jensen has been an advocate for countless composers. The ensemble initially bridged the so-called uptown and downtown