My back pages
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I recall writing this review, which predates this blog by just over two years, but I don't remember for what outlet I wrote it. I located it today on a whim – after posting the image you see above on Twitter – on Acoustic Levitation, an online journal edited and published by Steve Koenig, a
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Brian ChasePhotograph courtesy Terrorbird Originally published on National Sawdust Log, April 13, 2018 Drummer Brian Chase is best known as a member of the vital indie-rock band Yeah Yeah Yeahs, but that only reveals the tip of the iceberg where his creative life is concerned. A longtime participant in New York City’s busy underground-music scene,
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Photograph: Walter Wlodarczyk Originally published on National Sawdust Log, Nov. 29, 2017 Even for an artist as versatile and unpredictable as Sarah Hennies—a percussionist, improviser, and composer originally from Louisville, Kentucky, and now based in Ithaca, New York—her newest work represents a substantial achievement. Contralto, an hour-long work for vocalists on video with strings and
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I wrote for the Village Voice only one time, very early in my professional career, at the tail end of the full-time jazz journalism stage that preceded my return to classical music after around five years of estrangement. The article was published Feb. 27, 2001, or so the website tells me. That I never returned to
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A thread from Twitter, begun as a simple response to someone else's tweet on Thursday… Jobs I did before full-time professional* journalism: BabysitterFloor cleaning/maintenanceBusboyDishwasherKitchen prepRecord store clerkRadio program hostPublicist (* but also wrote for my college paper and freelanced for alt-weeklies mag long before that…) https://t.co/WrBpsT9mXm — Steve Smith (@nightafternight) July 12, 2018 https://platform.twitter.com/widgets.js After
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Vanessa Rossetto (Image: Matthew Revert) Vanessa Rossettoerased de kooning + rocinanteBandcamp; DL only Originally published by National Sawdust Log, May 5, 2017 Everything that’s erased leaves its trace of its passage behind: a point as familiar to the manuscript recyclers of antiquity for whom the term palimpsest was coined to modern-day digital data-recovery sleuths. We learn
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Charles Gayle in 'Rising Tones Cross' JazzizJuly 1999 The early 1980s were a period of transition for the avant-garde fringe in New York. The loft scene – the days in which Ornette Coleman's hom on Prince Street and Sam Rivers' Studio Rivbea provided workshops for experimenters to develop their art –was drawing to a close,
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John Shiurba JazzizMay 1999 Bay Area guitarist and free-improvisor John Shiurba hit upon the idea of his new Limited Sedition record label soon after buying a CD burner last year: "I just wanted to put out CDs of my music, and music that I think is worthy," he explains. "But the idea of shopping tapes
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Kenny Kirkland JazzizFebruary 1999 Word leaked over the Internet before any official sources were heard. But in the end, the stories were the same: Pianist Kenny Kirkland was found dead in his Queens home on Friday, November 13. He was 43. At press time, no apparent cause of death was revealed.* Kirkland came of
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Sometimes the road ahead is simply a matter of being in the right place at the right time…and knowing the right people. Back in the spring of 2000, with my illustrious public-relations career at an impasse after BMG Classics eliminated almost everyone in the department, I got an interesting offer from Larry Blumenfeld, then the
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Tri-Centric Modelling: Past, Present and Future(Le) Poisson Rouge/Issue Project RoomNew York City, USAThe Wire, September 2010 There was surely one burning question on the minds of the audience who packed the chic New York City nightclub (Le) Poisson Rouge to capacity on a Friday night for the first evening of Tri-Centric Modelling: Past, Present and
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All over my apartment, in boxes and in piles, are loose clippings and magazines with articles I've written that, for one reason or another, don't exist on the web. For some time now I've been toying with the idea of posting at least some of those pieces here, partly because it's a way of archiving
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Porcupine Tree; photograph by Diana Nitschke Interview: Steven Wilson of Porcupine TreeThe Volume blogTime Out New YorkSept. 20, 2010 Founded in England at the onset of the 1990s, Porcupine Tree was originally passed off as a "forgotten" old-school prog-rock band. But yarn-spinning ceded to singer, guitarist and bandleader Steven Wilson's knack for reconciling vintage influences
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Yannick Nézet-Séguin, by Marco Borggreve Editor's note, 2016: The very first music-industry professional who ever talked to me about the conductor Yannick Nézet-Séguin said, "Keep an eye on this guy, he's being groomed as Levine's successor at the Met." That was in early 2009, when he was chiefly known for his work with the Orchestre
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Album review: Sarah Borges and the Broken Singles, Diamonds in the DarkSugar Hill Records, 2007Time Out New York, June 7–13, 2007Five stars (out of five) Had Boston-based singer Sarah Borges come along in the mid-1960s, she surely would have been roped into the Capitol stable alongside like-minded mavericks such as Wanda Jackson, Merle Haggard and
Night After Night 