Live reviews

  • Great leap forward.

    The Juilliard Orchestra with John Adams at Carnegie HallThe New York Times, February 21, 2011 The night after this concert, I finally got to see the Metropolitan Opera's new production of John Adams's opera Nixon in China, presented in the original 1987 staging by Peter Sellars–more or less. Many reviews appeared after the premiere earlier…

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  • Surprise symphony.

    The New York Philharmonic with Branford Marsalis at Avery Fisher HallThe New York Times, February 19, 2011 I rarely receive feedback on my reviews from strangers, directly, but every time I do, I learn something valuable. After this review appeared in print this morning, I got an e-mail from someone who attended the matinee performance…

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  • Wedding party.

    The Bartered Bride at the Peter Jay Sharp TheaterThe New York Times, February 17, 2011 The first full-scale collaboration between the Metropolitan Opera and the Juilliard School, this was both an accomplished production and a plain-old delight. The performance drew a house packed with luminaries, including Mark Morris, Brian Dickie and, naturally, Peter Gelb. There…

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  • Requiem for a dream.

    Carnegie Hall Choral Festival Berlioz Requiem at Carnegie HallThe New York Times, February 15, 2011 The brilliant bombast and gentle supplication of Berlioz's Grande messe des morts (or Requiem, for short) still ringing in my ears, I decided to pick up a good recording of the work on the way home. (I'd previously thought I…

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  • Life and times.

    Leon Fleisher: In Focus at the 92nd Street YThe New York Times, December 15, 2010 In preparing for this review, I read several sizable chunks from Leon Fleisher’s newly published memoir, My Nine Lives, co-written by my friend and colleague Anne Midgette. What little part I managed to read confirmed what I’d already suspected: the…

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  • Kindred spirits.

    Steven Isserlis and Jeremy Denk at the 92nd Street YThe New York Times, December 13, 2010 Needless to say, and unsurprisingly, this was terrific: a perfect example of two intelligent, inquisitive artists finding common ground in a recital that covered a lot of unfamiliar and worthwhile territory. Erin Baiano's terrific photograph brilliantly captures the energy…

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  • French knot.

    Pierre-Laurent Aimard at Carnegie HallThe New York Times, December 11, 2010

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  • Clarinet marmalade.

    The Risør Chamber Music Festival at Carnegie HallThe New York Times, December 6, 2010 As linked in this review, here’s a video of the dazzling clarinetist Martin Fröst playing his brother Göran Fröst’s arrangement of klezmer giant Giora Feidman’s “Let’s Be Happy” at the Verbier Festival.

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  • O come all ye faithful.

    Andrea Bocelli at Madison Square GardenThe New York Times, December 4, 2010 Andrea Bocelli presents "My Christmas" at the Prudential Center in Newark, NJ tonight, and there's no reason to think that things won't go just a bit more smoothly than they did on opening night: a Garden show less engaging than that of Justin…

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  • One by one.

    Darmstadt Essential Repertoire at Issue Project RoomThe New York Times, December 3, 2010 Night one of this vital young festival featured a sterling cast of local luminaries in Berio's first ten Sequenzas. I only wish I could have spilled more ink on the performers bunched together at the end, as every participant brought something unique…

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  • Dearly beloved.

    The Manganiyar Seduction at the Rose TheaterThe New York Times, November 24, 2010 By a sizable factor, here was the White Light Festival offering that moved me most. (No, I did not see all of them.) That point is probably the reason why the way this review ended actually surprised me. I was also happy…

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  • Utopia banished.

    New York Gilbert & Sullivan Players: Utopia, Limited at Symphony SpaceThe New York Times, November 23, 2010

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  • As you like it.

    Bryn Terfel and Malcolm Martineau at Carnegie HallThe New York Times, November 19, 2010

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  • I believe.

    Jonsi and Alex, Kjartan Sveinsson, the Hilliard Ensemble, the Latvian National Choir and the Wordless Music Orchestra at the Church of St. Paul the ApostleThe New York Times, November 17, 2010

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  • Spirit moves.

    Baltimore Symphony Orchestra "Too Hot to Handel" at Carnegie HallThe New York Times, November 16, 2010

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  • Invisible touch.

    Jan Garbarek and the Hilliard Ensemble at the Church of St. Ignatius Loyola, and the Latvian National Choir at the Kaplan PenthouseThe New York Times, November 15, 2010 Two concerts, one saxophonist I'm glad to have heard live at last, two excellent vocal groups and one hidden hand behind it all. I profiled Manfred Eicher,…

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  • Cultural affairs.

    The Chamber Music Society of Lincoln Center at Alice Tully HallThe New York Times, November 13, 2010

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  • Beginning to see the light.

    The Eroica Trio with Richard Stoltzman at the Rubin Museum of ArtThe New York Times, November 9, 2010 I've said it before, I've tried it before and I'm trying it again: one way or another, I'm getting this blog back on track.

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  • A week and a bit after I went to hear Paul Motian and Bill Frisell play at the Village Vanguard with saxophonists Tony Malaby and Mark Turner (reported here), I returned for the last night of the next week's run (Sunday, Sept. 5), during which saxophonist Joe Lovano returned to his place at the center…

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  • Digital domain.

    Ryoji Ikeda datamatics [ver. 2.0] at Florence Gould HallThe New York Times, September 13, 2010

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