classical music
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Photograph: Chad Batka/The New York Times "White Light Festival: An Act of Testimony"The New York Times Artsbeat, November 19, 2010 Over the past few weeks I've reviewed several events in Lincoln Center's inaugural White Light Festival, a series devoted to exploring spirituality in music — or, more specifically, to promoting the notion that some kinds…
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Bryn Terfel and Malcolm Martineau at Carnegie HallThe New York Times, November 19, 2010
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Photograph: Tina Tahir/DG Anne-Sophie MutterThe illustrious German violin virtuoso is this season's artist-in-residence at the New York Philharmonic.Time Out New York, November 18-24, 2010
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Jonsi and Alex, Kjartan Sveinsson, the Hilliard Ensemble, the Latvian National Choir and the Wordless Music Orchestra at the Church of St. Paul the ApostleThe New York Times, November 17, 2010
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Baltimore Symphony Orchestra "Too Hot to Handel" at Carnegie HallThe New York Times, November 16, 2010
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CD REVIEW: 'Music of Tribute, Vol. 6: Berg'Ieva Jokubaviciute, Vladimir Valjarević, pianists; Marjorie Elinor Dix, mezzo-sopranoLabor Records LAB 7086; CDThe New York Times, November 14, 2010 Amazon / Amazon MP3 / ArkivMusic / Barnes & Noble / Classics Online I've been an admirer of Ms. Jokubaviciute's playing for some time now, based on hearing her…
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The Eroica Trio with Richard Stoltzman at the Rubin Museum of ArtThe New York Times, November 9, 2010 I've said it before, I've tried it before and I'm trying it again: one way or another, I'm getting this blog back on track.
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"Remaking a Dark Tale, With Real-Life Notes"The New York Times, September 19, 2010 An article about Hannah Lash, a strikingly gifted young composer who overcame a huge emotional and professional setback this summer as she completed Blood Rose, a 40-minute chamber opera based on the tale of "Beauty and the Beast." The opera will have…
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Argento Chamber Ensemble at the Austrian Cultural ForumThe New York Times, September 4, 2010 In which the consistently impressive Argento players once again do right by the music of Austrian composer Georg Friedrich Haas, one of the most striking and original voices in contemporary music. I've more to say and no time to say it…
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A fruitful middle ground between period and modern styles will come into sharp focus at Lincoln Center this week when conductor Iván Fischer leads two ensembles in a complete cycle of Beethoven’s nine symphonies
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Yannick Nézet-Séguin, by Marco Borggreve Editor's note, 2016: The very first music-industry professional who ever talked to me about the conductor Yannick Nézet-Séguin said, "Keep an eye on this guy, he's being groomed as Levine's successor at the Met." That was in early 2009, when he was chiefly known for his work with the Orchestre…
Night After Night 