A weekly tally of noteworthy things that got stuck in my ears, March 2–8, 2026.

Djam Karet – Recollection Harvest (Cuneiform; 2005)

Pat Metheny – Side-Eye III+ (Uniquity; 2026)

Bosque Vacío – Aves de Nahá (Dinzu Artefacts; 2026)

Antonio Gallucci – Hope for Nothingness as Something (Dinzu Artefacts; 2026)

Weston Olencki – Piano Studies (Dinzu Artefacts; 2026)

Pat Metheny Group – First Circle (ECM; 1984)

Adrián Demoč – Flute – Manuel Zurria (elsewhere; due March 10, 2026)

IQ – IQ20 (IQ Archive Collection; 2002)

TAK Ensemble – Between the Air (TAK editions; due Apr. 14, 2026)

▸ Eric Wubbels – INSTRUMENTS; Golnaz Shariatzadeh – moon that sank|wet grass; Lewis Nielson – Siesta Negra; Bethany Younge – At midnight I walked into the middle of the desert; Tyshawn Sorey – for jaimie branch

夢遊病者 – РЛБ30011922 (self-released; 2025)

Borderlands Ensemble – CROSSING (Imaginary Animals; due May 15, 2026)

Shane Parish – Autechre Guitar (Palilalia; 2026)

IQ – IQ30 (IQ Archive Collection; 2011)

Phish – Moon Palace Resort, Riviera Maya, Mexico, Jan. 30, 2026 (LivePhish; 2026)

Maya Bennardo – rustlings (elsewhere; due March 10, 2026)

Alexander Eldefors – Vivel (laaps; due Apr. 6, 2026)

Booker Stardrum – Close-up on the Outside (We Jazz; 2026)

Bill Orcutt – Music in Continuous Motion (Palilalia; due March 13, 2026)

Emergency Group – Live at Westbeth (self-released; 2026)

Qasim Naqvi – God Docks at Death Harbor – BBC Concert Orchestra/André de Ridder (Erased Tapes; 2026)

Jason Moran – Jason Moran plays Duke Ellington (Yes; 2026)

Jessie Marino – Curtain Pleater (self-released; 2026)

Ben Richter – Mymerian – Richter, Mike Bullock, Laura Cetilia (Sedimental; due May 1, 2026)

Dave Douglas – Transcend (Greenleaf Music; due Apr. 24, 2026)

Pallas – The Messenger (self-released; 2023)

Pallas – Arrive Alive (Granite Wax/Esoteric; 1981/2024)

IQ – IQ40: Forty Years of Prog Nonsense (IQ Archive Collection; 2022)

Dmitri Shostakovich – Lady Macbeth of Mtsensk District – Passacaglia; Symphony No. 10 in E minor – Boston Symphony Orchestra/Andris Nelsons (Deutsche Grammophon; 2015)

Olivier Messiaen – Turangalîla-Symphonie – Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra/Andris Nelsons (Deutsche Grammophon; 2025)

Jean Sibelius – Symphonies Nos. 2 & 5 – Boston Symphony Orchestra/Serge Koussevitzky (Naxos Historical; 2001, recorded 1935–36)

Camille Saint-Saëns – Symphony No. 3 in C minor (“Organ”); Claude Debussy – La Mer; Jacques Ibert – Escales – Boston Symphony Orchestra/Charles Munch (RCA Victor; 1993, recorded 1957–59)

Igor Stravinsky – Agon; Gunther Schuller – Seven Studies on Themes of Paul Klee – Boston Symphony Orchestra/Erich Leinsdorf (RCA Victor; 2014, recorded 1966)

Carl Ruggles – Sun-treader; William Schuman – Violin Concerto; Walter Piston – Symphony No. 2 – Paul Zukofsky, Boston Symphony Orchestra/Michael Tilson Thomas (Deutsche Grammophon; 2006, recorded 1970–71)

Bedřich Smetana – Má Vlast – Boston Symphony Orchestra/Rafael Kubelík (Deutsche Grammophon; 1989, recorded 1970)

Roger Sessions – When Lilacs Last in the Dooryard Bloom’d – Esther Hinds, Florence Quivar, Dominic Cossa, Tanglewood Festival Chorus, Boston Symphony Orchestra/Seiji Ozawa (New World; 1977)

Peter Lieberson – Neruda Songs – Lorraine Hunt Lieberson, Boston Symphony Orchestra/James Levine (Nonesuch; 2006)

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Title key: IQ, “It All Stops Here”