The Goings On About Town section in The New Yorker remains suspended indefinitely in its conventional format, and album reviews prevail, mostly. Here's my latest, from the April 13 issue, covering The experience of repetition as death, the second full-length album by cellist Clarice Jensen. The third release overall in her swiftly ascendant career as a formidable composer of solo works for cello and electronics (also including last year's EP, Drone Studies), the album came out last Friday on 130701, the new-music imprint of British indie label FatCat Records. (Click on the image to enlarge it, or hit the link to read the text on the New Yorker website.)

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The experience of repetition as death by Clarice Jensen