How I became a professional journalist (hint: you’re looking at it).

A thread from Twitter, begun as a simple response to someone else's tweet on Thursday…

https://platform.twitter.com/widgets.js

After which came another response to a subsequent tweet on Friday, inspired by the first…

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To explain that last sentence: Larry Blumenfeld, during his fondly remembered tenure as editor of Jazziz, hired me to write a handful of small articles while I was working in P.R. – obviously I never wrote about anything remotely related to the clients I represented – and then brought me on as his assistant editor when BMG Classics, the last company at which I held a P.R. job, eliminated my department and laid off most of the staff in 2000. Thanks to Larry, I wasn't unemployed even for a weekend.

Bradley Bambarger brought me back to classical music journalism – and, really, to classical music, period – early in 2001, when he hired me to take over his weekly column about the classical recording industry at Billboard. And K. Leander Williams, who knew me mostly from the jazz world, but also was aware of my classical background and the new Billboard post, passed my name to the powers-that-were at Time Out New York when that magazine was looking for a classical-music editor, also in 2001.

I then added a brief thread later on Friday, expanding upon that second response tweet and taking a little more agency for my route to full-time employment in journalism.

https://platform.twitter.com/widgets.js

https://platform.twitter.com/widgets.js

https://platform.twitter.com/widgets.js

https://platform.twitter.com/widgets.js

A true story. Maybe someday I'll expand on it in prose, but for now, I just wanted to preserve that thread and stick it all in one place.

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